Sabtu, 10 Desember 2011

Ebook Download Anselm: Basic Writings (Hackett Classics)

Ebook Download Anselm: Basic Writings (Hackett Classics)

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Anselm: Basic Writings (Hackett Classics)

Anselm: Basic Writings (Hackett Classics)


Anselm: Basic Writings (Hackett Classics)


Ebook Download Anselm: Basic Writings (Hackett Classics)

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Anselm: Basic Writings (Hackett Classics)

Review

Williams' translations are scrupulously faithful and accurate without being slavishly literal, and yet are graceful to both the eye and ear. --Paul Vincent Spade, Department of Philosophy, Indiana UniversityWilliams has a knack for producing translations that both convey an accurate sense of the author's original writing style and that read smoothly in idiomatic English. --Christina Van Dyke, in Notre Dame Philosophical ReviewsThis important rendition of the primary sources is both faithful in its interpretation and thoroughly comprehensible. To aid the reader along the way, Williams provides a glossary of key terms, in which he elucidates and contextualizes the most salient themes that arise throughout the primary text. Furthermore, he offers a succinct preliminary biographical sketch of Anselm, which is followed by a select bibliography for further reading. As such, the work is well suited for use as a course textbook. To be sure, students and instructors alike will appreciate its critical integrity and affordability. Thomas Williams should be highly commended for his masterful contribution to the field of theology and medieval studies. For the many who are sure to read it, his work will not only prove satisfying, but will also ingrain the merits of St. Anselm's writings for years to come. --Joseph W. Cunningham, Nazarene Theological College, University of Manchester

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About the Author

Thomas Williams is Associate Professor of Philosophy and Religious Studies, The University of South Florida.

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Product details

Series: Hackett Classics

Paperback: 448 pages

Publisher: Hackett Publishing Company, Inc. (September 15, 1997)

Language: English

ISBN-10: 0872208958

ISBN-13: 978-0872208957

Product Dimensions:

5.8 x 1 x 8.5 inches

Shipping Weight: 1 pounds (View shipping rates and policies)

Average Customer Review:

4.5 out of 5 stars

7 customer reviews

Amazon Best Sellers Rank:

#185,562 in Books (See Top 100 in Books)

Great book. If you like Philosophy, are Catholic, or like Theology this book should be in your library. Good translation.

Good. I've got it because it was one of the textbooks I needed.

In this translation of Anselm's works, Hackett publishing produce a beautiful, clear and well-presented set of some of Anselm's key doctrinal and meditative theological writings. Included in this set of writings are Anselm's famous 'Monologion' and 'Proslogion', his famous work on the doctrine of salvation 'Cur Deus Homo' (why God became man), as well as some of his minor doctrinal works and philosophical fragments.A review is too short a space to describe Anselm's beautiful and complex theological system that dominated Western Christian thought for over a thousand years and still resonates powerfully in much of Christian belief and liturgy. Anyone familiar with the prayers in the Roman liturgy, or the collects in the Anglican books of prayer, will see the spirit of St Anselm resonating very strongly. St Anselm was even recently praised to a very high degree by Pope Benedict, who clearly felt himself at home in Anselm's contemplative way of doing theology.Anselm, like other classical theists, has come under some attack in recent times. These critiques range across a broad front, from those who criticise his famous ontological argument for God's existence to his defence of what might be called 'classical theism', a conception of God as the Supreme Being, and a Being that is uncaring, unchanging, 'male', immutable and completely unresponsive to human suffering. Other attacks include a criticism of his account of human salvation as requiring a reparation to God in the form of Christ's sacrifice to atone for human sin, restore the affront to God's honour caused by sin, and to restore human beings to fellowship with God. Such a theory seems to require a kind of 'penal substitution' to an angry God, or reduces salvation to a commercial transaction.While Anselm's theology is not perfect, it is coherent and beautiful in many ways, and as with Augustine and Aquinas, many objections turn on misreadings of his theology. Scholars have abundantly shown Anselm's concept of God does not mean God is uncaring, angry or lacking in mercy and compassion, or that Anselm is a pure rationalist with no room for a sense of darkness and mystery about God. Anselm's language is deeply poetic and moving at times, and even more so in his devotional works, which unfortunately are often not translated with his doctrinal works (see Benedicta Ward's 'Anselm - Meditations and Prayers' by Penguin). Anselm's account of the incarnation, sin and atonement actually both take the seriousness of sin and the infinite love of God into account, and is surprisingly relevant to modern problems like the destruction of creation caused by sinful human activity (as Joan Nuth has beautifully shown in a paper comparing his work to Julian of Norwich).Anselm's medieval juristic theology and its concept of harmony and order are not exactly applicable to a more complex and less simplistic world that is the one contemporary Christians have to face. Even so, Anselm's Benedictine sense of harmony, stability, beauty, proportion and wonder before the mystery of God, the liturgy and the incarnation are all still highly relevant today, as is the powerful appeal of his ideas. For better or worse this great Benedictine scholar and monk has been a formative influence in Western church history and Western Christianity and for such a clear, logical and elegant thinker, he is worth reading, even after almost a thousand years have passed between our time and his.

I will not spend any time describing the philosophical or theological merit of Anselm's work. I'll simply list what I think are three important features of this text that one might not be aware of. First, all of the texts in this book are translated by the same person, Thomas Williams (a leading scholar on Anselm). This makes it, in my opinion, superior to the Oxford World Classics version of Anselm's work, which has translations from multiple translators of mixed quality, which can cause confusion because different translators do not always translate the same word the same way. Second, Williams also provides an extremely helpful glossary that explains the various usage of Anselm's technical terms. If you are unsure what Anselm means by a particular term or phrase, Williams probably has an explanation of it! Finally, this book is mislabeled; it should not be called Anselm's "Basic Works," but Anselm's "Nearly Complete Works," since it contains almost all of Anselm's work, with the exception of one work on language (called the De Grammatico) and various prayers, sermons, and the like.

Though a paperback edition, the book stood up well to re-reading and some fairly heavy annotations. Anyone interested in studying the history of theology (and wishes to save a bit of money), should consider this one.

A very readable translation of Anselm, especially his Monologium on the proof of the existence of God. I guess this was the best that western philosophers could do in the early twelfth century. But the quality of this translation (and good quality printing) make this book worth reading.

This is the best version of Anselm available. It is used in academic circles, but it also easy to read. The english is fluid, and is apparently close to the original (though I've never read the original, personally). Anselm is fantastic, and a really important thinker to wrestle with for a variety of issues. This is a must read for the theologian and/or philosopher.

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Sabtu, 03 Desember 2011

Download The Chicago Guide to Grammar, Usage, and Punctuation (Chicago Guides to Writing, Editing, and Publishing)

Download The Chicago Guide to Grammar, Usage, and Punctuation (Chicago Guides to Writing, Editing, and Publishing)

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The Chicago Guide to Grammar, Usage, and Punctuation (Chicago Guides to Writing, Editing, and Publishing)

The Chicago Guide to Grammar, Usage, and Punctuation (Chicago Guides to Writing, Editing, and Publishing)


The Chicago Guide to Grammar, Usage, and Punctuation (Chicago Guides to Writing, Editing, and Publishing)


Download The Chicago Guide to Grammar, Usage, and Punctuation (Chicago Guides to Writing, Editing, and Publishing)

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The Chicago Guide to Grammar, Usage, and Punctuation (Chicago Guides to Writing, Editing, and Publishing)

Review

“[A manual] for those of us laboring to produce expository prose: nonfiction books, journalistic articles, memorandums, business letters. The conservatism of his advice pushes you to consider audience and occasion, so that you will understand when to follow convention and when you can safely break it. When someone offers you good advice, you would do well to take it.” (John E. McIntyre Baltimore Sun)"The Chicago Guide is not what I expected, but it is what I had hoped for. There are a lot of grammar books available and a lot of sharply focused books on specific items . . . but there aren’t many, if any, that are comprehensive and accessible. The Chicago Guide certainly is accessible and comprehensive." (An American Editor)“This grammar book doesn’t shoot and leave. It stays with you.” (Hamodia)“Writers, copy editors, and students seeking advice or explanations of the conventions of standard literary English will find definitive, clearly expressed rulings in The Chicago Guide to Grammar, Usage, and Punctuation. . . . Essential." (Choice)“Garner’s guide is well-organized, logical, comprehensive, up-to-date, and comes alongside the reader in his or her search for clear as well as correct language (the second is not always the first).” (Reference Reviews)“At last, everything I had long been looking for in a single volume presented logically and explained adequately in terms that any interested reader can not only follow but also make his or her own with a little due diligence and old-fashioned intellectual elbow grease.” (Thomas R. Claire Publishing Research Quarterly)“A grammar companion such as this one to CMS and an authoritative dictionary would establish language authority across company texts. Therefore, this work is highly recommended.” (Technical Communication)“A thoroughgoing, clear explication of the traditional categories of grammar, expanded from his summary in The Chicago Manual of Style and a fit companion to Garner’s Modern English Usage.” (John E. McIntyre, author of The Old Editor Says)“Garner is the greatest writer on grammar and usage that this country has ever produced.  This book will be an instant classic.” (David Yerkes, Columbia University)

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About the Author

Bryan A. Garner is president of LawProse, Inc. and Distinguished Research Professor of Law at Southern Methodist University. He is the author of the "Grammar and Usage" chapter of The Chicago Manual of Style and editor in chief of Black’s Law Dictionary. His many books on language and law include Garner’s Modern English Usage and Legal Writing in Plain English, the latter from the University of Chicago Press.

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Product details

Series: Chicago Guides to Writing, Editing, and Publishing

Hardcover: 552 pages

Publisher: University of Chicago Press; 1 edition (May 16, 2016)

Language: English

ISBN-10: 9780226188850

ISBN-13: 978-0226188850

ASIN: 022618885X

Product Dimensions:

7 x 1.7 x 10 inches

Shipping Weight: 2.4 pounds (View shipping rates and policies)

Average Customer Review:

4.6 out of 5 stars

18 customer reviews

Amazon Best Sellers Rank:

#119,121 in Books (See Top 100 in Books)

This book is essentially an expansion of Garner's usage chapter from the CHICAGO MANUAL OF STYLE with a distinct emphasis on correctness rather than the style, workflow, and formatting covered in CMOS. And that's a good thing, as it focuses on helping writers at all levels. Less pedantic (in my opinion, anyway) than GARNER'S MODERN ENGLISH USAGE, and more accessible as a result, it follows a similar structure to that of CMOS. Some may find GARNER'S MODERN ENGLISH USAGE hard to follow because the head entries are alphabetical, and for those readers this book will seem more logical as it is grouped by typical subjects (e.g., prepositions, clauses, subjects, verbs). Other huge selling points are a 100-page subchapter titled Troublesome Words and Phrases, a 32-page Word Index, and an 88-page Select Glossary (I wonder what the Unabridged Glossary looks like). All of these are great aids for less-experienced writers or those who find certain indexing styles particularly vexing (nearly always the fault of the author or indexer, not the reader, by the way, and I'm not being sarcastic in this particular instance).One reason I like Garner's other book is its use of relevant and user-friendly examples. CMOS is not always so generous with such examples, though it is improving. The CHICAGO GUIDE TO GRAMMAR, USAGE, AND PUNCTUATION uses numerous examples in every section, and in many cases it divides them into "good usage" and "bad usage" categories to show both right and wrong variations. I find this much more helpful in explaining usage to others and it should aid comprehension for many readers. Garner also uses word-frequency data to show the prevalence of certain word forms and their lexicological competitors.This book is an excellent reference choice for writers at all levels (editors also will find good examples to clarify usage for themselves and clients). And a word for those who've heard that Garner is prescriptivist—he only seems prescriptivist for those rules that good writers do and should follow to ensure that readers take them seriously. He often points to certain uses that just don't matter so much anymore (e.g., he notes that "hopefully" is still avoided by good writers, but that the differentiation is likely lost on most readers and therefore not so important). And in case you wondered whether all those actors who pronounce "homage" as "OH-MAUGE' " and "often" as "OFT' EN" were just being pretentious—they are (of course I'm biased—otherwise, why would I write a silly review?).And finally (I presume you are cheering), at least Garner had the knowledge and good sense to provide a proper title for his book, unlike those numerous ones calling "usage" "grammar" and "grammar" "usage" without any hint of shame.

Absolutely love this as a companion to the Chicago Manual of Style. It's clear, concise, and pretty easy to navigate, and it offers supplemental examples that the CMS does not. I'm extremely happy with this and the CMS as a style manual. Match it with a good dictionary like Random House and a solid thesaurus, and you'll never need the internet again.

Here is a welcome extension volume to Garner's acclaimed Modern English Usage; together they make an invaluable source of articulate, authoritative, convincing (and witty) discussions of many of the problems that writers and editors of quality prose will encounter.

Garner’s usage guides are invaluable, but it’s difficult to figure out who would want this book. Lovers of grammar will be frustrated, and anyone trying to learn the complexities of grammar and punctuation will be misled. For one thing, Garner muddles the terminology. On the very page (165) on which he defines a clause as “a grammatical unit that contains a subject, a finite verb, and any complements that the verb requires,” he presents as an example of a subordinate clause the word-group “despite my father’s warning not to” (which is a phrase, not a clause, because it lacks a finite verb). Discussing the bracketed word-group “we’re making progress slowly but surely” on page 146, he claims that “but joins two adverbs within an adverbial clause,” but that word-group is an independent clause, not an adverbial dependent clause. Garner doesn’t always have a sure grasp of the parts of speech, either. He classifies “through” in the sentence “I’d like to see the problem through” as a preposition (page 139), but “through” is an adverb in that instance. For Garner, terms change meaning from page to page. On page 127, he defines an adverb as a “word”; on page 85, he illustrates his statement that “it is now widely acknowledged that adverbs sometimes justifiably separate the to from the principal verb” with the sentence “[T]hey expect to more than double their income next year.” “More than” doesn’t satisfy his definition of an adverb as a single word; it’s a phrasal adverb, which he defines elsewhere. Explanations are opaque (from page 143: “The conjunction joins a clause. . . .” Hunh?). Examples don’t always relate to the rules they are intended to illustrate. On page 375, the rule “Use a hyphen to connect the parts of a phrasal adjective—that is, a phrase whose words function together to modify a noun” is illustrated with the sentence “Being competitive, risk-taking, status-conscious, dedicated, single-minded, persevering—it can make all the difference to success,” in which there’s no noun for those phrasal adjectives to modify. Although the book has the imprimatur of the University of Chicago Press, the discussion of punctuation trashes rules in The Chicago Manual of Style, including 6.20 and 6.45 (rules identical to those enforced at The New Yorker). The section on punctuation is in fact the weakest in the book. Even though each chapter discusses common misuses of punctuation marks, the chapter on the slash does not even address the most controversial and disputed use of the slash—to mean “and” rather than “or.” (The discussion of the slash in his usage books is much more helpful.) The chapter on colons never explicitly states that an independent clause must almost always precede a colon. (And he discusses only one misuse of the colon, though in his usage books he discusses four misuses.) One can go on and on. Bryan Garner is a whiz, no question, but this book needs a redo. Buy one of his usage books instead. They’re a better bargain, they’re more comprehensive, and they’re brilliant!

I'm an author and needed some indepth grammar guidelines. The Chicago Guide to Grammar Usage satisfied that need.

I use this is a companion to the Chicago Manual of Style, and define my whole department's grammatical usage by this book. It's the one to go to.

Anything by Bryan A. Garner is excellent if you're interested in grammar and the meaning of words.

An excellent accompaniment to style books, such as the Chicago Manual of Style, and also to Garner's Modern English Usage.

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