Ebook The Official Photodex Guide to ProShow

Ebook The Official Photodex Guide to ProShow

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The Official Photodex Guide to ProShow

Ebook The Official Photodex Guide to ProShow

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About the Author

James Karney has over 30 years experience as an award-winning professional photographer and teacher. He started as a wedding apprentice in high school and has worked as a photojournalist, medical photographer, studio photographer, and served four years as a US Marine Corps photographer. He developed and taught the 18-month photography certificate program at South Georgia Tech. He is an accomplished computer journalist, whose work has appeared in PC Magazine, Windows Magazine, Computer Shopper, and Internet World. His books include The Official Photodex Guide to ProShow, Mastering Digital Wedding Photography (Named a Book of the Year by Shutterbug Magazine), the Golden-Lee bestseller Upgrade and Maintain Your PC, The Power of CorelDRAW, and the Microsoft Press Training Kit for A+ Certification. He is a graduate of the US Navy Photographic School, and holds a bachelors degree in Communications from Excelsior College as well as a master of science in Computer Technology from Nova Southeastern University.

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Product details

Paperback: 358 pages

Publisher: Cengage Learning PTR; 1 edition (May 23, 2008)

Language: English

ISBN-10: 1598634089

ISBN-13: 978-1598634082

Product Dimensions:

7.2 x 1 x 9 inches

Shipping Weight: 2.2 pounds (View shipping rates and policies)

Average Customer Review:

3.5 out of 5 stars

34 customer reviews

Amazon Best Sellers Rank:

#1,059,674 in Books (See Top 100 in Books)

It's rare in the technical "how-to" genre to find a book as well done as this one. It truly is awesome. Photodex ProShow has long been one of the staples for those who produce or wanted to produce high-class slide shows. Over the years, the product, along with everything else it seems, tended more and more toward becoming a multimedia platform. A few years back, this trend reached fruition in the immensely powerful ProShow Producer. The problem was that both programs had more power than was adequately explained in the supplied help files. Don't get me wrong: Photodex provided great help files (as well as great support). It's just that programs, particularly ProShow Producer are capable of so much. At last to the rescue comes James Karney with this masterpiece of a "how-to" book. Every aspect of using ProShow Gold and ProShow Producer is explained through text and examples on the supplied CD. Karney explains his goal on the first page of the introduction: ProShow is "easy to use", but hard to master. "The novice can create a slide show in a minutes, but crafting a real multimedia production requires learning how to use special effects, keyframes, and output formats." Karney covers all these subjects and far more in 13 chapters and 340 pages. As someone in the industry who must read dozens of technical books of the "how-to" variety, I know that most of the titles are just adequate and many are awful. It is truly refreshing to encounter someone like Karney who not only truly mastered his subject instead of just recycling the help file, but can also write. This is his 24th book. Karney begins with the basics and then builds step-by-step into more elaborate productions using more and more of ProShow's features. One of the features, keyframing, is extremely versatile and Karney cleverly comes back to it repeatedly as he shows how increasingly sophisticated use of keyframing enables you to create more sophisticated productions. If you own PhoShow Gold or Producer, you need this book to get the most out of either program. If you don't own them, but need a dependable, incredibly powerful multimedia creation engine, then you need to check ProShow out - trial copies are included on the book's CD and are, of course, downloadable from the publisher's site. Either way, you definitely need this book to learn how to get everything you can out of ProShow. Simply put, this book is a gem and beautifully complements a powerful program.Jerry

This is a book that is insightful and well written. Using ProShow can be daunting, and this book details just how to get the most out of its many features. Unfortunately, shortly after this book was published, Photodex introduced version 4 and gave ProShow a complete new look, which means many of the references in this book to where items are located are already out of date. This is really ironic because Photodex hyped this book for months before it was published. ". . . click the 'whatever' button in the upper left corner," means nothing, because ProShow moved or changed whatever it is you need to click. Now it's up to the user to try and find it. Too bad, as I said, the book is well written, but it badly needs to be updated. Shame on Photodex for not telling the author the look of the program was due for an immediate change.

I have been using Proshow Gold for several years and recently got Producer. This did sound like it was a good solution for getting up to speed quickly, but has been a disappointment from the start. It is like several other reviews have stated, full of errors and part of the problem is not addressing the current version (Producer 4). The panels shown must be from 3.0 not 4.0. Add the fact that the help provided in Proshow is is seriously lacking makes this book of questionable value. What Proshow is capable of producing is wonderfull, but figuring it out is a real trial. As written this book is totally useless and a waste of money. The author should look at one of the Photoshop Real World series and learn how to create a book that TEACHES enough to get started. If you are considering purchasing this book, think twice and look for something else.

Pro Show is a program that lets you use your imagination to create great presentations a la Ken Burnes (Civil War, The War) It includes a CD with all the files for the different tutorials. With this book you'll learn the insides and out of such a wonderful program. The tutorials are very well written and cover all the major features of the program; published in color and using excellent paper. Exquisitely done. After reading cover to cover and spending some time going through the tutorials, you'll be making spectacular presentations. Enjoy!

This book is full of great tips for Proshow however, it is outdated and many of the screen shots no longer match. If you learn well by following step-by-step instructions then it is a wonderful tool. The author does an excellent job of explaining the what, why and how. I was disappointed to find that the website for the author hasn't been updated in a while but I am aware that life happens and all too often we move on to other projects.

The Official Photodex Guide to ProShow has a lot of information. A lot of it I didn't know, so I learned a lot from it.The book has some errors and omissions that are detailed on the authors website and there is a promise that these errors will be corrected in the second printing.

useful book. If you like to show your images to family, friends or various groups, this is the way to go.Comprehensive but it can be tedious to work through all the intricacies of the info provided. I would still recommend this book.

The product manual of Proshow is easier to follow than this book. If the author is my teacher I'll drop out of his class because I feel I will not learn from his way of teaching.

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Free Download Developer Marketing: The Essential Guide, by SlashData

Free Download Developer Marketing: The Essential Guide, by SlashData

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Developer Marketing: The Essential Guide, by SlashData

Free Download Developer Marketing: The Essential Guide, by SlashData

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Review

"The book was a kaleidoscope of rich experiments and experiences from multiple marketing groups that adopted a 'road less traveled', a 'rolling thunder' and other new approaches to win over this critical group of people in enterprises of all sizes - small, medium, and large."- Padmini Murthy, Head of Global Developer Meetups Program at Oracle

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From the Author

During the Future Developer Summit in October 2017, we realised that developer marketing is still a very young and very fragmented industry, with pockets of best practices locked within the companies that master them. What was evident during the Summit was that we needed a medium to spread knowledge, currently held behind closed doors, to the broader audience of developer marketing practitioners based within thousands of platform companies around the world.A question we often get at SlashData is, "Can you help us understand how Amazon, Google or Microsoft practice developer marketing" (replace names with your favorite tech brands) and it's exactly what this book aims to accomplish. In fact, it is written by the leading practitioners themselves.The vision behind the book has been both simple and powerful; become the standard textbook that every new recruit into developer marketing reads to immerse themselves into this brave new world. A book whose influence may extend well beyond the field of developer marketing, given that developers are the most marketing-averse audience out there, it could become a toolset for B2B marketers in many more industries.As the influence of developers continues to grow, we believe in a near future where most technology companies will need to get up to speed with developer marketing, and build departments of people that understand and value developers, in much the same way that IT departments have become standard in most companies today, but were a rarity 20 years ago.We brainstormed the book concept at the 2017 Future Developer Summit event, and invited leading practitioners from the best companies in the field to contribute to this Essential Guide, resulting in what you are now reading: the first edition of a book that shares the best practices and diversity of experience across the companies involved.

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Product details

Paperback: 216 pages

Publisher: Independently published (September 3, 2018)

Language: English

ISBN-10: 171774222X

ISBN-13: 978-1717742223

Product Dimensions:

5.5 x 0.5 x 8.5 inches

Shipping Weight: 9.6 ounces (View shipping rates and policies)

Average Customer Review:

5.0 out of 5 stars

10 customer reviews

Amazon Best Sellers Rank:

#444,607 in Books (See Top 100 in Books)

This book is required reading for anyone on my team and should be for anyone in the software developer space. This book is a collaboration of industry experts sharing their decades of experience and knowledge with us. Want to know how Microsoft, Facebook, VMWare, Salesforce, SAP, Google, ARM, Qualcomm, Nutanix, Accenture, and many others tailor specific campaigns to developers, plan events, create personas, run developer engagement programs? Then this book is definitely for you. Why reinvent the wheel, possibly costing your company millions when you can learn from the masters.

Disclosure : I was a co-author on one of the chapters.However, the insights gained from my peers while reading this book have helped me build a more well rounded program for Nutanix. This book validates much of the theories and ideas of how to build a developer marketing program correctly over the course of the 8 years I have been doing it.Unlike many books written by folks who just research then write about it this book is by the folks actually in the trenches who have built this vital piece of technical marketing and grew it from its infancy to today where developers are becoming more and more important to business decisions.In the past developers didn't have budgets and were seen more as the factory worker of the technology workforce, but with devOps, the cloud and many self service models developers are often selecting and then pushing for the best of breed tools, golf buddy with the CEO be damned. Companies need to adapt to talking to these folks as they are entering the drivers seat in many many business deals. This book gives marketers the tools to turn developers from the biggest threat to your deal to your largest champion. If you are involved with supporting, marketing or selling to a technical audience with developers involved. This book will help you avoid much of the pain the authors have experienced in their journeys.

This book is an absolute must have for anyone in the industry; if you want to know how to attract, engage and retain developers this is the right book! I believe it's the first of its kind in the Developer Marketing space, which is quickly becoming the new battleground for companies. The global developer population keeps on growing and diversifying. The demand for developer skills intensifies and expands. The pace of technological change and the ever-increasing competitive landscape continue to make attracting and retaining developers extremely challenging. Traditional industry boundaries continue to fall at pace.Developers have now become one of the most important stakeholders that businesses need to nurture. The competitive advantage that companies could get a short number of years ago, by engaging effectively with this group, has now become a strategic necessity, as emerging technologies become the next battlegrounds. Incumbent leaders are at risk of being disrupted. Those platforms who are most aggressive about understanding the needs of this critical business constituency and building the services and programs developers require, can stand out from the crowd and attract and retain developers in an increasingly competitive fight for their mindshare, loyalty, user relevance and growth.Disclosure : I wrote the closing chapter of this book.

Look at the most successful and most innovative companies of our age... Apple, Google, Facebook, Tencent, Microsoft, Nvidia etc. While these companies have many reasons for their success, there is one common best practice among all of them - they all built world-class developer ecosystems around their products. These developer ecosystems allowed them to access the long-tail of innovation that enabled them to meet customer needs and drive their businesses to the top. In "Developer Marketing: The Essential Guide", Constantinou, Sauvage, and experts from many of the top tech companies lay out what you need to know to begin to unlock the value of developer ecosystems.I co-founded one of the largest tech developer conferences in the world, the Global Mobile Internet Conference that draws up to 80,000 developers at events around the world. I only wish I had this book on hand back at the beginning. It certainly would have saved us from many pitfalls and accelerated our growth. This book has both strategic and tactical advice for understanding and segmenting developers, building programs that meet their needs, and designing marketing campaigns that even developers will respond to. I highly recommend it to anyone that is building a company, product, API, SDK, or platform that is developer facing.

Industry experts share candid information on how to start an authentic conversation with developers. Whether you're creating personas, starting a developer community or re-positioning your brand, market leaders share best practices for engaging with and staying connected to the developer market. It's a must read for anyone tasked with developer marketing!

Only a few months ago I was looking around for resources to learn more about developer relations and marketing. I found nothing but a few websites where I could read short blurbs and articles about devrel, maybe watch some videos and talks, and follow links from one site to another. I wanted a book.Thankfully, I didn't give up. The information in this book is required reading for anyone who wants to get the inside scoop on developer marketing. Hopefully they'll publish another with even more experts.

Starting a tech company or leading a team of developers? This book is a must read. Developers are the core of tech driven enterprises' success and the complex organizational relationships with the developers evolve over time. From finding, to hiring, to motivating, and then organizing your developers, you need a framework to follow. This book is a step by step guide that puts much needed structure in place. It is very useful for seasoned leaders as well as new managers in your organization. Easy read with great examples, you are bound to love it.

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Download PDF Adventurer's Vault 2: A 4th Edition D&D Supplement, by Rob Heinsoo Eytan Bernstein

Download PDF Adventurer's Vault 2: A 4th Edition D&D Supplement, by Rob Heinsoo Eytan Bernstein

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Adventurer's Vault 2: A 4th Edition D&D Supplement, by Rob Heinsoo Eytan Bernstein

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Product details

Series: D&D Supplement

Hardcover: 160 pages

Publisher: Wizards of the Coast; 4th edition (August 18, 2009)

Language: English

ISBN-10: 0786952040

ISBN-13: 978-0786952045

Product Dimensions:

8.5 x 0.5 x 11.2 inches

Shipping Weight: 1.3 pounds (View shipping rates and policies)

Average Customer Review:

4.1 out of 5 stars

33 customer reviews

Amazon Best Sellers Rank:

#296,137 in Books (See Top 100 in Books)

The Adventurer's Vault 2 has the same set back as all the 2.0 materials. It is about 60 pages shorter in content than the first Adventurers Vault. This would be an okay things if WoTC didn't charge the same price for both editions.The content that it covers is the same of the other minus mundane weapons. We only have magic items, in this Edition. I would have liked to see some stats on some more exotic weaponry.The new magic items added to this edition are; tattoos, wondrous lair items, immurements, and item sets.Tattoos, these are actually covered fairly well. The made a whole lot of them and gave a lot of options.Wondrous Lair Items, this was also covered fairly well and gives options to all level ranges. Makes a slowly modified and grown guild hall with magical awesomeness in your reach.Immurements, due to the power of there items I feel that they were fairly well covered. I think it would have been nice if WoTC could have found a way to make at least a few paragon level ones.Item sets, this is by itself is not a disappointment. There are many different sets covering all levels, from heroic-epic. And each level has three or four different sets. Where my problem began is with the introduction of group sets. I was quite excited by the idea, but I was severely let down due to the fact that there was only 5 sets total introduced here. I would have been fine if WoTC had just left out the Group Sets and given us more regular item sets. But with the introduction of the group set and then not fully covering it I think they made a grave decision that left me wanting instead of being satisfied.All in all it is a nice addition, but it could use more in general. Add about 4-6 more pages and we'll be gold.

One thing I dislike about 4th edition is books like these where all they do is add a million new items, 99% of which you will never get to use. One problem is there is too much emphasis on the higher levels. While I am a limited player, not being able to play D&D as much as I would like, it's always been my experience that it's very difficult to get to level 10, let alone the higher levels. I know some who have gotten their D&D characters to godlike levels, but also many who never get to 10 or more. Why? Probably because it is much more of a challenge to DM the higher the players get. The players also get tired of perhaps having 2 to 4 sessions or more before they can level up. Mostly, it appears many people just get bored with "that adventure", and opt to either have somebody else DM a new one, or they stop playing and opt to do something else entirely.

great quality, no damage to book or insides. made a fine addition to my D&D collection! With Stranger Things coming out nows a better time than ever to pick up a copy of this book and get your next adventure going!With all the added weapons and treasures its defiantly a must have for your collection!

This book is quite thin in contrast to many other d&d books out there.It contains a decent amount of armor and weapons but everything else has a small selection.It retails for 29.95 in stores and I would not recomend that price at all, I infact would be upset if I paid that for something as thin as this. Decent content but very little of it.If you decide to buy it, buy it on amazon, no more for 10. Picked mine up for 6 + 3.99 s+h.The prices are constantly changing on d&d books, just be patient and there will be a week when this or another book goes down in price and get your hands on it then.Definately not essential for any campaign, but if your a collector of 4th edition like me, you gotta get your hands on them all.

One thing it took me a long time as a DM to realize is that while the story keeps the DM interested the players need loot to keep them interested. If you want some cool ideas for stuff to give the players this is a great resource, and I think that this is the book htat has some loot that is sentient, which while not suuuper original is a great campaign hook.

A DM must.

A treasure trove of loot that will turn any party into greedy murder hobos. Items easily convert to 5e.

good illustrations easy to understand

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Free Ebook Prodigal Daughters: Susanna Rowson's Early American Women (Published by the Omohundro Institute of Early American History and Culture and the University of North Carolina Press)

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Review

Draw[ing] on some excellent research . . . [Prodigal Daughters] is a nice example of a successful interdisciplinary work and provides us with crucial insights into the life and writings of one of the most important female authors of the new nation.--Journal of the Early Republic[An] engaging and valuable study.--Tulsa Studies in Women's LiteratureA radically new and exciting picture of Rowson. . . . Each of Rust's readings taken by itself is fascinating. Together, they constitute a vivid, original analysis of gender politics, literary production, and the public sphere in the new republic. . . . A pleasure to read.--Resources for American Literary StudyMarion Rust writes a wonderful narrative about why Rowson was an important woman and the impact that her writing had on the early U.S. Republic.--BookWoman/BookManArgues persuasively that Rowson's most famous creation is not representative of her larger body of work. . . . Certainly demonstrates Rowson's significance.--The Pennsylvania Magazine of History and BiographyFar more than an important addition to scholarship on Rowson . . . Rust provides an important reevaluation of women's literary and public strategies during this pivotal period in American literary history.--Journal of American HistoryA carefully researched, nuanced reinterpretation. . . . Challenges some widely held ideas about early Republican women's relationship to authorship and public life. . . . Essential reading for those interested in antebellum literature, the history of sentimentality, and women's history.--American StudiesRust's biographical material is persuasive. . . . [She] creates a convincing link between the women readers that Rowson . . . reached and the women activists of 1848.--Women's Review of BooksMarion Rust makes a valuable contribution to the study of early American culture. . . . Providing clear and innovative readings of Rowson's substantial corpus, Rust restores Rowson to a merited position of prominence among early American writers.--ClioSplendidly researched. . . . Rust is especially good at parsing major critical debates in early American studies and engaging in critical dialogue. . . . Firmly persuades readers that Rowson is both extraordinary and metonymic.--Legacy

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Review

More than a revisionist account of the best-selling novelist in the United States prior to Harriet Beecher Stowe, Rust's powerful rendering of Susanna Rowson's life and career is an invitation to rethink our fundamental assumptions about the relations among gender, agency, literary production, and public action.--Bruce Burgett, University of WashingtonA major accomplishment. . . . Rust charts the tension between discipline and pleasure, submission and autonomy, republican virtue and its gendered performances, that marked both Rowson and her characters, making them central to the culture of sentiment in the United States. By moving Rowson center stage, Prodigal Daughters rectifies a long-standing omission in American cultural history.--Laura Rigal, University of IowaIn this important contribution to gender and literary studies in the early U.S. Republic, Marion Rust opens a window onto the extended literary career of Susanna Rowson, demonstrating that there is far more to Rowson's work than Charlotte Temple and far more to the story of femininity in the early national period than a choice between seduction and death or republican motherhood.--Elizabeth Maddock Dillon, Northeastern University

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Product details

Series: Published by the Omohundro Institute of Early American History and Culture and the University of North Carolina Press

Paperback: 328 pages

Publisher: Omohundro Institute and University of North Carolina Press; New edition edition (March 24, 2008)

Language: English

ISBN-10: 9780807858929

ISBN-13: 978-0807858929

ASIN: 0807858927

Product Dimensions:

6.1 x 0.8 x 9.2 inches

Shipping Weight: 1 pounds (View shipping rates and policies)

Average Customer Review:

5.0 out of 5 stars

1 customer review

Amazon Best Sellers Rank:

#1,225,613 in Books (See Top 100 in Books)

"Susanna Rowson was the famous writer of the best selling novel, Charlotte Temple. Marion Rust writes a wonderful narrative about why Rowson was an important woman and the impact that her writing had on the early U.S. Republic."

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Prodigal Daughters: Susanna Rowson's Early American Women (Published by the Omohundro Institute of Early American History and Culture and the University of North Carolina Press) PDF

Prodigal Daughters: Susanna Rowson's Early American Women (Published by the Omohundro Institute of Early American History and Culture and the University of North Carolina Press) PDF

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Get Free Ebook How Do We Look: The Body, the Divine, and the Question of Civilization

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Review

“Readers will be grateful to have wise, witty Beard as guide and companion... Beard is charming and insightful piece by piece.” - San Francisco Chronicle“The title of the book?How Do We Look?could also refer to the physical quality of the book itself. Its design, use, and style harken back to the concise, entertaining, well-made, solid little books popular a few years ago. In that, Beard again explores a means of perceptions (and a practical meaning of educating)… If your summer vacation proved a disappointment, make this little book your consolation.” - Robert S. Davis, New York Journal of Books“Slim yet insightful.... Beard expands her view beyond western Europe to offer an admirable survey of cultures from Egypt to China, Judaism to Christianity, centuries past to the modern era, all while emphasizing the significance of the viewer over the artist.... As Beard emphasizes the power of the context in which we look at and interpret art, she ultimately suggests that civilization itself is a leap of faith. Beard is having fun in this joyfully accessible primer, backed with a robust appendix, for all interested in a new perspective on religion, art, and history.” - Katharine Uhrich, Booklist [starred review]“The renowned classicist delivers another tantalizing morsel of analysis, this time on 'art, and our reactions to it, over thousands of years and across thousands of miles'.... Yet another triumph for Beard: a joy to read, too short for certain, packed with lessons quickly absorbed.” - Kirkus Reviews [starred review]

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About the Author

A professor of classics at Cambridge University, Mary Beard is the author of the best-selling SPQR and Women & Power and the National Book Critics Circle Award–nominated Confronting the Classics. A popular blogger and television personality, Beard is a regular contributor to the New York Review of Books.

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Product details

Hardcover: 240 pages

Publisher: Liveright; 1 edition (September 4, 2018)

Language: English

ISBN-10: 1631494406

ISBN-13: 978-1631494406

Product Dimensions:

6.1 x 0.9 x 9 inches

Shipping Weight: 1.4 pounds (View shipping rates and policies)

Average Customer Review:

3.5 out of 5 stars

10 customer reviews

Amazon Best Sellers Rank:

#73,910 in Books (See Top 100 in Books)

This is an extremely political book on art history by a professor of the classics. In particular its an attack on Kenneth Clark and the well known BBC documentary "civilization". Her lines of attack are rather predictable. Clark is too patrician, he is too focused on European matters, he excluded underrepresented people (in particular women), created a vision of art where the only women present were "society hostesses" and "the virgin mary" (p.207). She hates the narrative of "one damn genius after another" she says he represents. She outright says that Clark saw the work as superior europeans and inferior barbarians (p. 207). She is so political that she cannot even trust that herself looking with her "white western gaze" at art outside Europe She offers him backhanded praise at the end but at the same time carefully explaining to us that she was only 14 years old when he saw it and of course not understand all its various flaws.While Kenneth Clark attempted to create a narrative covering western civilization which he clearly said at the time was a "personal" narrative, Mary Beard offers sort of random tourism lacking any real narrative at all aside from constant repetition that she is a being of a higher morality than a Kenneth Clark and has a superior understanding of the world. Nothing really ties the pieces of the book together aside from her constant complaints about dead white men and her complaints about a selective group of cultures.Often in the book, she is speaking outside of any expertise that she has and often offering blue-sky opinions about matters which are not her subject area. There are also what to me are rather ugly and stupid statements. On p. 117 for example, she presents to the reader the idea that the destruction of religious artwork on religious grounds is "far more than brute vandalism" and that it "may indeed reflect an artfulness of its own". For all her virtue, she doesn't understand that many people would not tend to see it that way. That when one goes to certain historical sites and sees heads broken off statues or thousand-year old paintings on a wall scratched out with swords/knives, that it represents a tragedy and bigotry rather than a style of art. While she looks with contempt at her imagined evil white men, she seems to see glory in religiously imposed restrictions on what art can be.She demands that we see the story of Islam's historical conquests and destruction of art in places like India as a more "nuanced" history. That while they were carrying out a wave of destruction, they were at the same time fascinated by what they were destroying. That when they were looting art and carrying it out of the countries, that was really "appreciation" of it. She talks about how the art defaced in a Hindu site converted to a mosque has been valued through its "re-use" and that the humanity of the art still comes through in the broken pieces. She offers the same view on sites smashed historically by iconoclastic movements in Europe.While she sees smashing, defacing and destroying art as a form of artistic expression, she is almost overtly hostile to classical european art in the context of greek and roman works. She sees those praise those sculptures and other works as :"offering a ready-made standard against which to judge the art of other cultures - sometimes a distorting and divisive lens which is hard to escape.". In other words, liking classical european art is the same as attacking the art of other cultures and being "divisive".To me, that is incredibly simplistic. She would have made a valid point in perhaps 1910, but I'm not sure today who exactly she is talking about. Who looks today at non-European art simply through the lens of classical greek art? And are we to blame and shame an entire artistic tradition based sometimes on the opinions of people who lived in the 1700s? And what would we find if we applied those same standards to the art of other cultures? The author doesn't really believe in uniform standards. For example, she praises an ultra-modern mosque in Turkey for its "feminist" reform of allowing women to stand segregated in the mosque to the side of the men rather than as traditional behind the men. One can look at violence and ethnic cleansing in Myanmar today and see that Buddhism can be be driven by ethnic hate and extremism as much as any group in Europe.. All this begs the question of double-standards and if the author's tendency to apply different standards to different traditions isn't simply a new form of what she calls "western gaze" but directed toward self-loathing rather than self-superiority.There are no end of problems with the book. She speaks out of her depth often and offers what amounts to a tourist view of things she doesn't understand. She is political in a constant, nagging sort of way. She has no narrative to speak of other than being a derivative counterpoint to what Clark called his personal view. And while she is critical of Clark for his presentation of "one genius after another" she is guilty to a degree of presenting people who fit into diversity narratives one after the other.Overall she would have done much better to come up with her own narrative and personal vision of art rather than disrespect and ride on the backs of others. She also needs more discipline and organization as a writer. As in her book from a few years past on Rome, there seems to be a tension between producing a conventional book and producing something overtly political to impress her friends. In general, she wasn't the right person for a book like this. Quite frankly none of the three people selected by the BBC to do the new version of "civilization" had the necessary background in the appropriate material. The whole thing illustrates the problem that the people who have the greatest contempt for someone like Kenneth Clark are still unable to better than he did back in the 1960s.

Very enjoyable ,easy read w high education factor. Could have been a little longer.

Mary Beard is a very thoughtful observer of modern human culture. Her SPQR is her best work, but this new book offers many multi-dimensional observations about world art not often thought or spoken by a single author. Well done.

A silly book without content. A money grab by a formerly highly respected classicist.

I rather enjoyed Mary Beard's "How do we look". It's a pretty fast-paced overview of various art objects throughout history (not connected in any particular way other than Mrs. Beard's line of thinking, it seems, which doesn't make it any less interesting), all the while raising a ton of "meta" questions along the way. If you're a serious art history buff then you won't find it too engrossing unless you are especially interested in this the author's opinion ; however, if you're just an interested reader with an open mind, this book proves to be hugely entertaining and makes you go "Ah, yes! I forgot about this place!" and deep in thoughts about it you go...Some views of the author can be a bit out there for a conservative reader (but I appreciated her down-to-earth view on certain things), so it's important to keep an aforementioned open mind. In the end, it is her take on the subject. It's very amusing, however, to find an unexpected outlook on something and think about the way this conclusion was made."How do we look" will take only a few hours to read (plus time to think about and/or discuss things - the controversial story about Aphrodite led me to some interesting debates). It's full of photographs of art pieces or places, sometimes long forgotten (it's always a pleasure to re-discover the beauty of a certain work you never got to see in person and filed in the back of your mind for later); and it is by no means presents itself as a monumental work on art history. It seems that it was written more as a thought-provoking entertaining non-fiction, mostly for those who have interest in art, human history and like to ponder on things.Happy Reading!

I recently re-watched the original 13 part series Civilization from 50 years ago. Twice. Its fantastic! It is of course 50 years behind some of humanity’s greatest scientific accomplishments, particularly archeological & historical, but it is a well articulated masterpiece of one man’s vision. I have since watched the new Civilizations series several times as well. Not bothering with the dumbed-down American version, but absorbing the much richer original BBC version. And, it is as fantastic as its predecessor! I especially appreciate the depths Professor Beard takes us. In the episodes and in this book, she makes what could easily have been a dalliance with pretty objects into revelations of their importance. Her intellect and expertise is a gift to us all. I recomend this book whole heartedly. (As I recommend the many other books she’s written). And having been fortunate enough to have seen most of the objects she describes with my own eyes, I recommend visiting them as well. As she points out, they have a lot to tell about us.

Beautifully imagined and thought out, with a multitude of examples and fresh perspectives about art and women (in art, history, and society). I felt compelled to buy it when, reading an article about it in NYT today, all the interviewer asked Beard was her opinion about Instagram photos of modern pop stars and the Royal Family!

Ms Beard has written a simplistic book with no coherent point of view. I was embarrassed for her - her photos of herself alongsidevarious works of art made her book look like a tourist's guide rather than a serious intellectual effort. The book lacks depth andI was left none the wiser after having read it.

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